This devotional composition gently weaves together the wisdom of Sant Kabir and the heartfelt Krishna devotion associated with Meera Bai. It opens by emphasizing the transformative power of sangat (good company)—the idea that being close to the saintly purifies the mind, just as fragrance spreads simply by proximity. Alongside this, the song reflects on the confusions and moral inversions of the Kali Yuga, setting the spiritual context of the seeker’s journey.
Nature imagery plays a central role throughout. The cuckoo, heron, bumblebee, flowers, and the vast sea become symbols of divine sweetness and attraction—each pointing toward the irresistible pull of remembrance and devotion. These images are not decorative; they express how the natural world mirrors inner spiritual longing.
The recurring line about sweeping the path and laying flowers reflects the devotee’s inner preparation. It signifies cleansing the mind, removing distractions, and creating a space worthy of the Divine’s presence. Devotion here is shown not as demand, but as readiness and humility.
The song culminates in spiritual fulfillment through visions of the Ganga and Lord Krishna, affirming the sanctity of the Divine Name and the peace that arises from sincere remembrance. It celebrates devotion as both discipline and grace—earned through effort, yet completed through divine compassion.
For detailed lyrics and melody references, please explore the sections below.
“कबीरा संगत साधु की, ओ गंधी की बास
जो कुछ गंधी देहि नहीं, तो भी बास सुवास”
“अरे कबीरा, ऐसे कलजुग भई. जैसे आंधी गाय
जिसका बछड़ा चल गया, ऊभी चाम चटाय “
अरे कोयल होय, बागों में बैठी
कोयलड़ी होय, बागों में बैठी
बागों री सुगंध सवाई म्हारा राम
मारगिया बुहारों…
अरे बुगलो बुगलो होय, समुन्दर में बैठी
बुगलो होय, समुन्दर में बैठी
समुन्दर री हिलोरी, सवाई म्हारा राम
अरे मारगिया बुहारों, फूलड़ा बिछावां,
गंगा जी रा दरसन, हुया म्हारा राम
म्हाने कृष्ण जी रा दरसन, हुया म्हारा राम
अरे भमरो भमरो होय, फूलों में बैठो
भमरो भमरो होय, फूलोंड़ों में बैठो
फुलङों री सुगंध, सवाई म्हारा राम
मारगिया बुहारों, फूलड़ा बिछावां
मारगिया बुहारों, फूलड़ा बिछावां
गंगा जी रा दरसन, हुया म्हारा राम
बोल्या बाई मीरा, गिरधर गायो
गंगा जी रा दरसन, हुवा म्हारा राम
म्हाने कृष्ण जी रा दरसन, हुवा म्हारा राम
(सावरिये रा दर्शन पाया हरी नाम)
(मोहन जी रा दर्शन पाया हरी नाम)
अतिरिक्त पांतियाँ
पपेयौ होवे हू आभे मो बेठो रे
आभे री धोर सवाई हरी राम
मारगिया बुहारों …
“Kabira Sangat Sadhu Ki, O Gandhi Ki Baas
Jo Kuchh Gandhi Dehi Nahin, To Bhi Baas Suwaas”
“Are Kabira, Aise Kaljug Bhai. Jaise Andhi Gaay
Jiska Bachhda Chal Gaya, Uubhi Chaam Chataay”
Are Koyal Hoy, Bagon Mein Baithi
Koyaldi Hoy, Bagon Mein Baithi
Bagon Ri Sugandh Sawaai Mhaara Ram
Margiya Buharon …
Are Buglo Buglo Hoy, Samundar Mein Baithi
Buglo Hoy, Samundar Mein Baithi
Samundar Ri Hilori, Sawaai Mhaara Ram
Are Margiya Buharon, Phoolda Bichhawan,
Ganga Ji Ra Darsan, Huya Mhaara Ram
Mhaane Krishna Ji Ra Darsan, Huya Mhaara Ram
Are Bhamro Bhamro Hoy, Phoolon Mein Baitho
Bhamro Bhamro Hoy, Phoolondo Mein Baitho
Phulango Ri Sugandh, Sawaai Mhaara Ram
Margiya Buharon, Phoolda Bichhawan
Ganga Ji Ra Darsan, Huya Mhaara Ram
Bolya Bai Meera, Girdhar Gayo
Ganga Ji Ra Darsan, Huva Mhaara Ram
Mhaane Krishna Ji Ra Darsan, Huva Mhaara Ram
(Sawariye Ra Darsan Paaya Hari Naam)
(Mohan Ji Ra Darsan Paaya Hari Naam)
Addional Verse
Papiyau Hove Hu Aabhe Mo Betho Re
Aabhe Ri Dhor Sawaai Hari Ram
Margiya Buharon …

